
UK Bass veteran Debasser returns with his next two track EP “Thirst” on WIDE Records dropping this July.
Debasser has been producing dance music since the early 000s making his debut on Disco D’s GTI Recordings in Detroit, the track was swiftly picked up by Richie Hawtin which resulted in releases on NovaMute followed by InputOutput Inc, Seed, Balkan Vinyl as well as his own label, WIDE Records. He was also part of Andrew Weatherall’s Haywire agency playing at their parties along with numerous other clubs and festivals around the UK and Europe.
His music is characterised by its eclectic sound and genre-bending approach, blending jungle/drum and bass, dub, hip-hop, electro, house and anything that takes his fancy to create a unique and unforgettable sound, always focused on parties and bass.
This latest two track offering sets off with ‘Thirst’. A deep, dark, glitchy track with elements of techno and broken beat plus the suitably sub heavy aspects Debasser is known for.
The second track, ‘Hampstech’, continues the theme introducing a heavier four to the floor beat and a more menacing bass which twists and turns while maintaining Debasser’s party aesthetic.
Debasser has been producing dance music since the early 000s making his debut on Disco D’s GTI Recordings in Detroit, the track was swiftly picked up by Richie Hawtin which resulted in releases on NovaMute followed by InputOutput Inc, Seed, Balkan Vinyl as well as his own label, WIDE Records. He was also part of Andrew Weatherall’s Haywire agency playing at their parties along with numerous other clubs and festivals around the UK and Europe.
His music is characterised by its eclectic sound and genre-bending approach, blending jungle/drum and bass, dub, hip-hop, electro, house and anything that takes his fancy to create a unique and unforgettable sound, always focused on parties and bass.
This latest two track offering sets off with ‘Thirst’. A deep, dark, glitchy track with elements of techno and broken beat plus the suitably sub heavy aspects Debasser is known for.
The second track, ‘Hampstech’, continues the theme introducing a heavier four to the floor beat and a more menacing bass which twists and turns while maintaining Debasser’s party aesthetic.
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