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Some people crave the public adulation and trappings of stardom that a successful career in the electronic music industry can bring. Some people are too busy being creative to worry about these things. With some people, when you scratch beneath the surface, unfortunately there is little substance to talk about. Then there are some people who have come in under the radar, conscientiously building great things in their own quiet way. These are the true masters, people who, when you dig deeper, you find famous productions, genius collaborations, exciting record labels and legendary club nights. Germany’s Alex Flatner is such a person, he may not yet be a household name but his career achievements so far are way beyond impressive.

Anyone seeking a role model for how to operate successfully and with longevity in the electronic dance music industry today, should study Alex Flatner, the art of multi-tasking across disciplines has been honed to perfection by this congenial, self-effacing man from Munich. He runs his highly successful underground labels, Gedankensport and Circle Music; works as an A&R manager for labels including Harthouse and Plastic City; is a producer of immense talent and a highly regarded DJ who travels all over the globe at weekends.

Having started to produce music in 1992 for his own enjoyment, a chance meeting with Corvin Dalek, A&R for the Berlin based MFS label, resulted in his first big hit, “Pounds & Penz”. The record sold more then 50K copies (on vinyl) and was licensed to many compilations. Such huge success led to many remix and production opportunities, a personal highlight for Alex being his highly creative reworking of “Crystal” by New Order, a version much loved by Bernard Sumner.

An introduction to the world of DJing came about by accident in 1995, when a new club opened (Electric Delicate) in his hometown of Munich. The DJ didn’t turn up one Saturday night, so Alex ended up spinning some records to keep the crowd entertained, the night becoming one of the most popular in the city at that time. Crucially, this new creative outlet led to Alex Flatner’s name becoming known outside Germany. These days he can regularly be found behind the decks in Istanbul, Rome, Berlin (Watergate), Paris, Madrid (Fabrik), Bloemendaal (Woodstock 69), Rotterdam and many other major clubbing cities around the globe.

Always wanting to learn and develop his skills further, Alex took on the role of A&R in 2002 for a variety of labels. Up to now, he has signed more then 3000 releases for Harthouse, Plastic City, Fine Audio, Monoid, Mole Listening Pearls, Circle Music, Gedankensport, Galvanic, Compressed and for many other imprints.

In 2006 Alex Flatner moved from Munich to Mannheim, where he has continued to be based to this day, working across his many disciplines. A steady flow of highly charged, intensely creative productions on Toni Rios’ Soap Records (“Oriental Dreams”, 2008), Sven Väth’s Cocoon (“Make Up Your Mind” 2009), Steve Bug’s Poker Flat Recordings (“Dinosaurs”, 2010 and “This” 2011) and Daniel Schlender’s Result Recordings (“Blossom”, 2011), have marked him as a producer of immense talent. The licensing and inclusion of his tracks on mix compilations by Locodice (“In The Lab”) and Sven Väth (“Ninth Season”), and may more, have steadily built respect and profile around the world.

When you dig a little deeper and discover a stunning array of recent remixes, including: Gui Boratto “Atol” (Harthouse), Terry Lee Brown Junior “Pulsar” (Plastic City), Steve Lawler “Almerina” (Harthouse), Mike Vamp “High On Heels” (Top Model), Alejandro Vivanco “Vita Jo” (Eukatech), David Keno “Stars Above” (Keno), amongst many, you realise Alex Flatner has his finger firmly on the pulse of electronic dance music. Additional studio and collaborations with the likes of Lopazz, Reboot, Santos, Simon Baker, Oliver Klein, Ken Ishii, Joey Beltram, Anderson Noise, Einzelkind and Martin Eyerer show that here is a producer who thrives on cre
Perfect Circles
Reboot's - Put Your Arm Next To It - Rework (8:29)
Original Mix (6:18)
Original Mix (6:45)

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