Leeds born producer and DJ Carlo Gambino has become a name synonymous with deeper leaning house from
the UK over the past decade, releasing his material via the likes of 3am Recordings, Zingiber Audio and his own
Midnight Social Recordings and Amongst Others. Here though we see him joining Cinthie’s we_r house,
following releases on the label from Kevin Over, Alessio Viggiano and Toman.
‘Dance For You’ opens the release, combining a snaking sub bass line with swinging organic drums and an
infectious filtered vocal line meandering throughout amongst the groove-driven composition. ‘We Had To Do
This’ is up next, this time round employing bumpy drums, resonant bass whirrs, dubbed out stab sequences
and similarly infectious vocal additions to continue the hypnotic groove focused aesthetic.
Opening the flip-side of the EP is ‘The Sermon’, taking things deeper via an amalgamation of airy chord stabs,
low-slung drums, robust bass and preacher spoken word. ‘Trust Me’ then rounds out the release, laid out over
six minutes with skippy percussion, dynamically delayed synth shots, voice murmurs and a resonant acidic bass hook
the UK over the past decade, releasing his material via the likes of 3am Recordings, Zingiber Audio and his own
Midnight Social Recordings and Amongst Others. Here though we see him joining Cinthie’s we_r house,
following releases on the label from Kevin Over, Alessio Viggiano and Toman.
‘Dance For You’ opens the release, combining a snaking sub bass line with swinging organic drums and an
infectious filtered vocal line meandering throughout amongst the groove-driven composition. ‘We Had To Do
This’ is up next, this time round employing bumpy drums, resonant bass whirrs, dubbed out stab sequences
and similarly infectious vocal additions to continue the hypnotic groove focused aesthetic.
Opening the flip-side of the EP is ‘The Sermon’, taking things deeper via an amalgamation of airy chord stabs,
low-slung drums, robust bass and preacher spoken word. ‘Trust Me’ then rounds out the release, laid out over
six minutes with skippy percussion, dynamically delayed synth shots, voice murmurs and a resonant acidic bass hook
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