Fall From Grace Records clocks release 162 with the same dangerous calm it has carried for two decades, as Glenn Morrison and Night Waves slip back into the current with the two track EP 'Thru / Submerged.' This is not dance music for headlines. It is built for rooms where the lights stay low and the crowd stops talking. Morrison's melodic instinct and Night Waves' textural discipline fuse into something fluid and deliberate, a sound that stretches atmospheric house across the spine of hypnotic progressive movement. It feels less like a release and more like a passage, music designed to move bodies while quietly rewiring the night.

The A side 'Thru' rolls in with a slow burn confidence. A steady bass engine hums beneath glowing harmonic layers, pulling classic rave emotion through a modern progressive frame. The groove breathes, expands, and locks into place with cinematic patience. Nothing is rushed. Every phrase is allowed to drift, evolve, and settle into momentum. It is hypnotic without losing its edge, melodic without losing its weight, the kind of track that makes dancers forget where the room ends and the record begins. DJs reach for this one when the floor is already unified and ready to go deeper.

On the flip, 'Submerged' sinks into darker water. The rhythm chugs with hazy intent, wrapped in fogged textures and late night tension. Low end pressure carries the track forward while atmospheric fragments flicker across the mix like half remembered dreams. It is subtle, physical, and dangerously repeatable. With ongoing support from Danny Howells, Sasha and John Digweed, Solomun, and more, Morrison and Night Waves continue to prove that Fall From Grace is not chasing moments, it is building environments. 'Thru / Submerged' is music for movement, memory, and the quiet electricity that keeps the underground alive.