
After Subliminar, BLEID returns to Extended Records with EXT045 – Medusas!
If Subliminar was rooted in a steady 4/4 beat, EXT045 – Medusas locks into broken rhythms. BLEID had already hinted at these tracks, created during a breaks phase, and the first time we heard them we were instantly captivated. Creatively sampled breaks, heavy low-end, gliding pads and organic textures are constant presences throughout the record.
The EP opens with impact: 4Dreams merges broken beats with a deep sub-bass and what sounds like a dissonant synthesised trumpet, summoning the hordes to the dance floor. In Paradise Disguise free palestine, fractured percussion wraps itself around a chorus of young voices that insistently fight to be heard. The message is unequivocal: FREE PALESTINE! With Kerosene, the tempo rises into a roller driven largely by percussion, carrying the same urgency as the message declared in the previous track. The EP closes with It Breaks My N3ck My B4ck, a slower, more contemplative piece, dominated by layers of pads. Intricate drum programming intertwines with sliced, processed vocals, creating a somehow distant and melancholic atmosphere.
EXT045 – Medusas sees BLEID step slightly away from the aesthetic we’ve come to expect, veering closer to UK Bass culture and labels such as re:lax or Timedance. But deviation does not mean disorientation: guided by unwavering moral integrity, BLEID’s vision remains faithful to rave as a political expression of a community striving to be freer, more inclusive, and unafraid of the necessary disruption and subversion of unjustly established orders. Music with the urgency of the NOW!
If Subliminar was rooted in a steady 4/4 beat, EXT045 – Medusas locks into broken rhythms. BLEID had already hinted at these tracks, created during a breaks phase, and the first time we heard them we were instantly captivated. Creatively sampled breaks, heavy low-end, gliding pads and organic textures are constant presences throughout the record.
The EP opens with impact: 4Dreams merges broken beats with a deep sub-bass and what sounds like a dissonant synthesised trumpet, summoning the hordes to the dance floor. In Paradise Disguise free palestine, fractured percussion wraps itself around a chorus of young voices that insistently fight to be heard. The message is unequivocal: FREE PALESTINE! With Kerosene, the tempo rises into a roller driven largely by percussion, carrying the same urgency as the message declared in the previous track. The EP closes with It Breaks My N3ck My B4ck, a slower, more contemplative piece, dominated by layers of pads. Intricate drum programming intertwines with sliced, processed vocals, creating a somehow distant and melancholic atmosphere.
EXT045 – Medusas sees BLEID step slightly away from the aesthetic we’ve come to expect, veering closer to UK Bass culture and labels such as re:lax or Timedance. But deviation does not mean disorientation: guided by unwavering moral integrity, BLEID’s vision remains faithful to rave as a political expression of a community striving to be freer, more inclusive, and unafraid of the necessary disruption and subversion of unjustly established orders. Music with the urgency of the NOW!
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