The Eora/Sydney-based artist strives to capture what he loves most in dance music. His direction and style have evolved from a dusty, Lo-Fi beginning to a more polished and energy-focused sound of today. Whilst staying true to his dusty roots, End In Tears' sound can be expressed as an unstoppable driving force, charged with bittersweet melancholy. With strong releases under his belt from local and international labels such as Sydney based "Motorik!" & Czech Republic's "Moskalus" the path is only just starting to pave for End In Tears. With upcoming releases set to cement his sound even further, there is still so much to uncover from this Australian artist.
End in Tears' steps up to the plate, on display his extensive palate.
Employing tastily imperfect synergy, 'Facility' makes no apologies. A brief yet inquisitive origin teases blissful melancholia, only to be contrasted by harnessed synth detuning and a seamless, classic low-end blend of broken pulse and offbeat thud.
'Infinity Pool' sees cascading plucks serve as a spectral companion to a wandering bassline. Drenched in a waterfall of percussive space, a round kick trades centre stage with a delectable snare, while wide regions are immersed in colourful pads and reverberating vocals.
Exhibiting robotic sounds from the depths of manmade wickedness, 'Up In The 303' is built around a recurring spoken message and conspicuous acid bassline. Its fleeting gaps mere resets, rave synths and sprinkled short sonics conjure images of cyber dystopia.
Posterchildren of prosperity, Willo and Caitlin Medcalf arrive with reinforcements and unique, nuanced takes on the endless trickle of the Infinity Pool.
Leaning into her proficiency in spatial nostalgia, Willo's signature concoction of sunlit dejection comprises a sustained kinetic drone and airy scattering of wet vocal sounds & wave tails. Breaching the surface at a dependable interval, Caitlin's toppy kick coordinates a field of complementary quirks. Majestically unorthodox, her unmistakably thumping take introduces rich arpeggiation to coincide with unique drum placement and timing.
End in Tears - Infinity Pool EP [EC-005]
Haunting in its captivation, gorgeous in its application.
End in Tears' steps up to the plate, on display his extensive palate.
Employing tastily imperfect synergy, 'Facility' makes no apologies. A brief yet inquisitive origin teases blissful melancholia, only to be contrasted by harnessed synth detuning and a seamless, classic low-end blend of broken pulse and offbeat thud.
'Infinity Pool' sees cascading plucks serve as a spectral companion to a wandering bassline. Drenched in a waterfall of percussive space, a round kick trades centre stage with a delectable snare, while wide regions are immersed in colourful pads and reverberating vocals.
Exhibiting robotic sounds from the depths of manmade wickedness, 'Up In The 303' is built around a recurring spoken message and conspicuous acid bassline. Its fleeting gaps mere resets, rave synths and sprinkled short sonics conjure images of cyber dystopia.
Posterchildren of prosperity, Willo and Caitlin Medcalf arrive with reinforcements and unique, nuanced takes on the endless trickle of the Infinity Pool.
Leaning into her proficiency in spatial nostalgia, Willo's signature concoction of sunlit dejection comprises a sustained kinetic drone and airy scattering of wet vocal sounds & wave tails. Breaching the surface at a dependable interval, Caitlin's toppy kick coordinates a field of complementary quirks. Majestically unorthodox, her unmistakably thumping take introduces rich arpeggiation to coincide with unique drum placement and timing.
End in Tears - Infinity Pool EP [EC-005]
Haunting in its captivation, gorgeous in its application.
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