TWR72 opens the EP with 'Ultraviolet', an energetic, club-like cut based in a closed and looped rhythm, with a vibrant, minimalist and industrial vision. The sequencing of his bass - giving him futuristic feelings – and the subtle sound of bells adds attraction to a cut intended to blow up the toughest dance floors.
What Alderaan proposes with 'Linö' is an insider techno journey, introspective by nature, textured and exciting. From a dystopian environment and in loop, all of it has one main idea: moving and touching the listener’s mind.
Tuber through 'Second Choice' bets on a predominantly techno cut, as floor-friendly as abstract. Here is a sign of his love for the anabolic and the fierce and for that mentaloid touch that sometimes becomes schizoid.
Albert Van Abbe closes the EP with 'Inguma One', a cut that is an extract from the 'Broken Cymbals' set he recorded for Semantica. It's a dub passage in which he uses granular synthesis to create deep and icy atmospheres, giving rise to complex and escapist textures.
What Alderaan proposes with 'Linö' is an insider techno journey, introspective by nature, textured and exciting. From a dystopian environment and in loop, all of it has one main idea: moving and touching the listener’s mind.
Tuber through 'Second Choice' bets on a predominantly techno cut, as floor-friendly as abstract. Here is a sign of his love for the anabolic and the fierce and for that mentaloid touch that sometimes becomes schizoid.
Albert Van Abbe closes the EP with 'Inguma One', a cut that is an extract from the 'Broken Cymbals' set he recorded for Semantica. It's a dub passage in which he uses granular synthesis to create deep and icy atmospheres, giving rise to complex and escapist textures.
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