You can’t spell bass without ‘Dat Ass’, made for super-charged car systems and calling out to booty shakers from the Dirty South and beyond. Skittering trap beats, reflecting the locales and influences of those involved – twin Chicago producers Eduardo de Rosa and DJ Nurotic, and Florida/Atlanta’s Chris Rapko - interchange with European bounce to go bananas to. Low-rider cruising swaps scenes with hyped, jump-up juke, and the drawling rap instructions require no further invitation to drop it to the floor.