FALSE
RIVER CAMPING
MINUS30
Matthew Dear brings the noise, reminding us that everything is FALSE.
Drawing on the gut and outer edges of what and where Detroit Techno has (be)come, Matthew Dear is in deep. Over the course of the past three years, his output has rallied him into orbit with stellar releases backed by a determined pace and power on the road as a live performer and DJ. His FALSE alias, home to Canada?s Plus 8 Records and Minus imprints, has become an escape ground for his further experiments into expanding new horizons.
RIVER CAMPING serves up Matthew?s second single for Minus, with added bounce and texture from 2004?s ?Sink the Ship? single. The brilliant title track swoons with smooth pads, erratic alarms, bells and Dear?s sneaky vocals, taking the quieter but still very rhythmic path of composition. FALLING AWAY?s deep bass builds the platform for a pulsing slow jam with Dear organically layering in new and unique subtleties throughout. The single finishes up with TANNING BOOTHS, the most pitched up of the three new tracks. Haunted and pounding from the start, this is territory where Dear is most comfortable; shuffling layers of melting percussion in with bass lines and tones, from one of techno?s most freely developing producers today.
RIVER CAMPING
MINUS30
Matthew Dear brings the noise, reminding us that everything is FALSE.
Drawing on the gut and outer edges of what and where Detroit Techno has (be)come, Matthew Dear is in deep. Over the course of the past three years, his output has rallied him into orbit with stellar releases backed by a determined pace and power on the road as a live performer and DJ. His FALSE alias, home to Canada?s Plus 8 Records and Minus imprints, has become an escape ground for his further experiments into expanding new horizons.
RIVER CAMPING serves up Matthew?s second single for Minus, with added bounce and texture from 2004?s ?Sink the Ship? single. The brilliant title track swoons with smooth pads, erratic alarms, bells and Dear?s sneaky vocals, taking the quieter but still very rhythmic path of composition. FALLING AWAY?s deep bass builds the platform for a pulsing slow jam with Dear organically layering in new and unique subtleties throughout. The single finishes up with TANNING BOOTHS, the most pitched up of the three new tracks. Haunted and pounding from the start, this is territory where Dear is most comfortable; shuffling layers of melting percussion in with bass lines and tones, from one of techno?s most freely developing producers today.
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