
Onigeru hits like a slap in the face, then vanishes into a haze — only to come roaring back like an engine misfiring on purpose.
Just like Shigeru swallowing an onigiri in one bite: no delay, no drama, just direct impact.
Perrey Carter & Phattom deconstruct the groove into pure intention —
old-school drums, acid-drenched echoes, and a drop so precise it feels criminal.
It’s fast, then soft. Dry, then saturated. Minimal, but surgical.
Simple — but only in the way that only seasoned killers make it look easy.
There’s no build-up, no filler — just a perfectly timed punch to the rhythm cortex.
This isn’t retro. It’s not homage.
It’s Onigeru.
And it doesn’t knock. It enters.
Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 245th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension.
Just like Shigeru swallowing an onigiri in one bite: no delay, no drama, just direct impact.
Perrey Carter & Phattom deconstruct the groove into pure intention —
old-school drums, acid-drenched echoes, and a drop so precise it feels criminal.
It’s fast, then soft. Dry, then saturated. Minimal, but surgical.
Simple — but only in the way that only seasoned killers make it look easy.
There’s no build-up, no filler — just a perfectly timed punch to the rhythm cortex.
This isn’t retro. It’s not homage.
It’s Onigeru.
And it doesn’t knock. It enters.
Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 245th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension.
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