JL-05 | 2009-04-23
Marissa Guzman presents another unique collaboration with Demarkus Lewis & Jeremiah McAllister (Mr. A.L.I) & Jason Ferguso
‘Original Vocal Mix’ Co-written by Jeremiah McAllister (Mr. A.L.I), Jason Ferguson and Marissa Guzman, this deep groove not only has a unique sound, but it seems to pull you in so you are one with the music. From the moment Marissa heard the song’s distinctive rhythm (drums by Jason ‘Jaycee’ Ferguson), she had ideas flowing. Jere McAllister worked his magic with that infectious melody on the keys, which combined with the beat, was a perfect foundation for the vocal harmonies and inspirational message of the lyrics: when life brings you down, it’s vital to maintain hope and ‘keep your head to the sky.’
‘Digital Rissa Mix’ Demarkus Lewis does it again, this time with a more ‘electro house’ sound on this bangin remix. Almost the polar opposite of the original mix, Demarkus took Marissa’s vocals to another level. The ‘Digital Rissa Mix’ is exactly that, a robotic sounding effect on Marissa’s voice is used to compliment the danceable baseline behind it for an overall stimulating experience.
‘Original Vocal Mix’ Co-written by Jeremiah McAllister (Mr. A.L.I), Jason Ferguson and Marissa Guzman, this deep groove not only has a unique sound, but it seems to pull you in so you are one with the music. From the moment Marissa heard the song’s distinctive rhythm (drums by Jason ‘Jaycee’ Ferguson), she had ideas flowing. Jere McAllister worked his magic with that infectious melody on the keys, which combined with the beat, was a perfect foundation for the vocal harmonies and inspirational message of the lyrics: when life brings you down, it’s vital to maintain hope and ‘keep your head to the sky.’
‘Digital Rissa Mix’ Demarkus Lewis does it again, this time with a more ‘electro house’ sound on this bangin remix. Almost the polar opposite of the original mix, Demarkus took Marissa’s vocals to another level. The ‘Digital Rissa Mix’ is exactly that, a robotic sounding effect on Marissa’s voice is used to compliment the danceable baseline behind it for an overall stimulating experience.
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