Vol 7 in in the TT series, and as ever, interpretation of the ' trance' descriptor is loose
.
Getting proceedings underway, Plymouth heavyweights'' Te Amo 'arguably owes as much to Moroder as it does to Mitsi munching Crasher Kids, with it's tight, funky, rolling bassline, spacy synths and steady tempo.
On a very different front, barstool Bolshevik Shade Guevara's take on Hooj's 1995 bosher ' Only Me' goes more for some imagined mainstream jugular, via big riffs / big U2 joanna's / big diva and big-floor arrangement.
Doug Crawford's ' Zenith ' drifts into the progressive end of the trance spectrum, with a crafted, expansive sound building artfully over 8 mins via swelling crescendos and chugging rhythms. Classy tackle.
Rounding off proceedings, the highly questionably named Cut Knob ( we tried ) keep things head down and linear, with hints of GOA in the riffs, and slamming drums doing the hard work.
Getting proceedings underway, Plymouth heavyweights'' Te Amo 'arguably owes as much to Moroder as it does to Mitsi munching Crasher Kids, with it's tight, funky, rolling bassline, spacy synths and steady tempo.
On a very different front, barstool Bolshevik Shade Guevara's take on Hooj's 1995 bosher ' Only Me' goes more for some imagined mainstream jugular, via big riffs / big U2 joanna's / big diva and big-floor arrangement.
Doug Crawford's ' Zenith ' drifts into the progressive end of the trance spectrum, with a crafted, expansive sound building artfully over 8 mins via swelling crescendos and chugging rhythms. Classy tackle.
Rounding off proceedings, the highly questionably named Cut Knob ( we tried ) keep things head down and linear, with hints of GOA in the riffs, and slamming drums doing the hard work.
More from Hooj Choons
Recommended For You
