‘Yearning for the Infinite’ was Max Cooper's most expansive and expressive electronic project to date - an audio/visual rendering of the history of human obsession with the unobtainable, commissioned by the Barbican in London, the world-class centre of arts.
With these remixes, he broadens the depth of the project looking to six producers to develop and shift the original productions including Josh Wink, Haai, Rob Clouth, Non Square, Steffi, Fort Romeau and one from himself.
With these remixes, he broadens the depth of the project looking to six producers to develop and shift the original productions including Josh Wink, Haai, Rob Clouth, Non Square, Steffi, Fort Romeau and one from himself.
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