DISCOHOLIC KEN

Discoholic Ken never really arrived on the scene; he seeped into it the way a bassline bleeds through a club's concrete bones. Under the banner of Discoholics Anonymous, he carved out a corner of modern disco culture that felt less like a brand and more like a late-night support group for people who refuse to give up the good groove. He's the host of Hot To The Touch—the weekly communion of deep-cut selectors, midnight romantics, and groove purists who still believe that dance music is supposed to save you a little, or at least make the week hurt less.

Discoholic Ken isn't interested in being the centre of the story. He's the guy who keeps the lights low, the BPM steady, and the quality uncompromised, the invisible hand stitching together producers, labels, and listeners scattered across continents but united by the ache for something soulful, funky, and real. When he's mixing, it's never about flash; it's about flow. The kind of flow that feels like being carried rather than pushed.

As a label head, he built Discoholics Anonymous Recordings into a refuge for artists who'd rather chase feeling than trends. The catalogue is a reminder that the dancefloor is still a place where people find each other, lose themselves, and sometimes do both in the same night.

If disco has a future — and it does — then Ken is one of the quiet custodians making sure it's treated with care. He's a curator of moments, a believer in the long mix, and a voice that insists the underground isn't dead, it's just been reorganizing its record crates.