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A quietly underrated producer and accomplished musician, Rapson’s name may be unfamiliar to most but his talents are undeniable. A versatile artist, he worked as a session musician on Ben Westbeech’s critically-acclaimed Brownswood Recordings releases and was for some time known for a broken beat-type sound, before his sublime white-label edit of Marvin Gaye’s ‘Mercy Mercy Me’ was picked up and supported by Gilles Peterson.

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