Lowriders Recordings is proud to present HALP's Tic Tac Toe EP.
Our crew-member HALP pushes himself to new heights after his Leek succes with his first vinyl release Tic Tac Toe EP.
The cheerful title track with the likes of Kissey on vocals is amazingly sticky and feels like a compendium of 30 years of electronic music, with seemingly effortless transitions between detroit house, booty bass and future music. The vocals of Kissey (Asplund) take us back to simpler days with her warm and seductive hypnoticness.
Baby treats you on a 2 step/house bumper which will kill you. The big chord synthline carrying the tune and vocal chops sprinkled on top!
Bek is like your 808 swingbeat ghetto track: redundancy to the bone covered with bubbles and some essential vocoder science. Waiting for an oiled muscle dude in lycra with a mullet body poppin'.....
SDUK makes Baby into a dancefloor stomper, whereas Starkey's interpretation of Field (which appeared on our Beatitude compiler) adds and enhances drama and suspense from the original, be it unheard, making it more melancholic and classy in a new suit.
And then there is the magical Krampfhaft remix of Tic Tac Toe, a worthy last track, schizofrenic, driven and recognizable as a mutated Juke screamer.
Our crew-member HALP pushes himself to new heights after his Leek succes with his first vinyl release Tic Tac Toe EP.
The cheerful title track with the likes of Kissey on vocals is amazingly sticky and feels like a compendium of 30 years of electronic music, with seemingly effortless transitions between detroit house, booty bass and future music. The vocals of Kissey (Asplund) take us back to simpler days with her warm and seductive hypnoticness.
Baby treats you on a 2 step/house bumper which will kill you. The big chord synthline carrying the tune and vocal chops sprinkled on top!
Bek is like your 808 swingbeat ghetto track: redundancy to the bone covered with bubbles and some essential vocoder science. Waiting for an oiled muscle dude in lycra with a mullet body poppin'.....
SDUK makes Baby into a dancefloor stomper, whereas Starkey's interpretation of Field (which appeared on our Beatitude compiler) adds and enhances drama and suspense from the original, be it unheard, making it more melancholic and classy in a new suit.
And then there is the magical Krampfhaft remix of Tic Tac Toe, a worthy last track, schizofrenic, driven and recognizable as a mutated Juke screamer.
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